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As he continues to write, he admits that he loves to listen to her voice when she speaks. Yet he knows that the sound of music is more soothing than her voice. Still, he adores her voice as it is. He has never seen a goddess go, but his mistress walks on the ground. That line, in particular, seems almost openly satirizing the tradition itself, as it is well known that many Elizabethan poets would compare their lovers to things that mortals could not achieve, leaving the realm of humans to enter the pantheon of the gods.
But why is this poem misunderstood Most commentators and critics, including some relied upon and often consulted by secondary school teachers and students, explain that Shakespeare is expressing his love for his mistress in the poem. In that, they are correct. But they go on to say the poet here is admitting that his mistress is ordinary, and not beautiful as other women written about and praised by poets. He is admitting that his mistress is plain, unremarkable and even unattractive. He concludes the poem by declaring that in spite of her ordinariness, he loves her, and cherishes her just as much as those who express praise and love for their beautiful mistresses.
What is more, Shakespeare is responsible for those erroneous interpretations. He deliberately misleads the reader in his use of language, but more so does it to make his point. In the poem, the poet is telling the truth about women in general, and about the natural elements. While he misleads with his deliberate choice of words, he never anywhere say his mistress lacks beauty. This deception is a part of his overall scheme in the poem through which he wants to laugh at a convention and tradition.
This convention is the Petrarchan, very popular among poets of the Elizabethan era in which Shakespeare wrote. Francesco Petrarch was an Italian Renaissance poet of the 14th Century, one of the great influences of the early Renaissance, in similar exalted stature of other Italians: Dante Alighieri and Giovanni Bocaccio. Petrarch was the founder of the sonnet form, especially known for the Petrarchan sonnet in which lovers praise their mistresses and also in which lovers complain about the ill treatment sadistically meted out to them by the mistresses in two sides of the Courtly Love tradition.
Shakespeare ridicules these ridiculous comparisons by saying his mistress does not compare to any of them. He is very realistic about her, giving a fairly truthful, factual description of her in contrast to the outlandish claims about eyes being like the sun and breath like perfume. There is mild humour in almost every line.
My Mistress is the story of an affair between a vulnerable teenage romantic and a French S&M mistress that soon moves into more dangerous territory. Beart stars alongside Australian actor Harrison Gilbertson and Rachael Blake.
We mistakenly equate the mistress with the homewrecker because we hear from the homewrecker all of the time, from Jolie to Rielle Hunter to Monica Lewinsky. I suspect that, for some of these women, half their motivation is the hope that Barbara Walters will ask them on national television what it was like to sleep with such an important man. Or that GQ will pose them for provocative photographs in glossy spreads, bestowing upon them the power to bring down marriages and campaigns and nations.
Despite their impressive title and glorious past, the Fitzmartins are crumbling under the pressures of the new century. And in the cold isolation of these new surroundings, Hester ends up hopelessly besotted with her young mistress, Lady Lucy. 781b155fdc